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GREYFACES


GREYFACES, an artist quietly traversing the musical landscape this year, defies easy categorization—a quality that amplifies the intrigue surrounding their work. My initiation into GREYFACES' repertoire began with "Life Itself," a track exuding a captivating groove reminiscent of mid-2000s indie rock. The orchestral elements harkened back to shades of Arcade Fire, weaving a rich musical tapestry. The vocals, heavily treated and echoing a shoegaze aesthetic, bathe in generous hall reverb. Just shy of the two-minute mark, the song erupts into a dazzling breakdown, a highlight that amplifies its allure. Towards the track's closure, the reverb seemingly envelops, causing the vocals to morph into an almost haunting, moan-like resonance.


The subsequent offering, "I Can’t Stop," elevates the experience further. Its lushness provides ample space for the song to breathe, adorned once more with heavily manipulated vocals. Amidst this tapestry, moments of sheer beauty resonate profoundly. A somber, melancholic essence permeates the piece, heightened by the adept utilization of backwards effects. "Young, Dumb & Full of Rum" emerges as a dreamlike ballad, its ephemeral essence almost transient. Despite moments where the vocals seem to clip, the song radiates emotional depth, capturing a hauntingly resonant quality. Within this collection lies a treasure trove of exceptional tracks, signaling an artist with significant potential. GREYFACES' offerings hint at an artist poised for greater exploration and evolution. The prospect of forthcoming releases from this enigmatic creator is a tantalizing prospect, and I eagerly await what lies ahead.


















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