Roscoe Tripp’s We All EP lands like a love letter to early 2000s indie rock, fusing a mix of originals and covers into a cohesive package that feels both nostalgic and forward-thinking. The project began as Greg Fine’s solo experiment in 2021, steeped in the sounds of a bygone indie scene, but by the following year, Roscoe Tripp had solidified into a full band, with Fine fronting on vocals alongside Tony Vitez’s sharp lead guitar, Masterjee Bumbu on rhythm, Cass Foley’s bass grooves, and Ash Tressel holding it all together on drums.
The EP opens with the title track, "We All," an electrifying burst of energy. It’s fast, bold, and drenched in the garage rock ethos of bands like The Killers, complete with a striking guitar solo that kicks things into gear right from the start. There’s a sense of raw momentum, broken up by a well-executed breakdown where drums, synth, and vocals swirl together in a controlled chaos.
“When the Stalks are Low (The People’s Version)” darkens the mood with a grinding bassline and a more atmospheric, slow-burn feel. The groove is infectious, and Fine’s vocals lock in perfectly with the band's tight rhythm section. It’s followed by a blistering take on Faraquet’s "Cut Self Not," a showcase of technical proficiency with shifting tempos and intricate guitar work that demonstrates the band’s ability to not just cover a track but elevate it.
The EP closes with a faithful rendition of Radiohead’s “Just,” where Roscoe Tripp channels the original’s angst and complexity without losing their own identity. While covers can often feel disjointed on releases like this, the band manages to weave them into the EP’s fabric, making We All a surprisingly unified collection. It’s a brief but promising glimpse into a band that’s clearly finding their stride.
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