A New Record from wht.rbbt.obj

wht.rbbt.obj is back with a brand new album that spans such an amazing range of approaches, delivering elements of classic and psychedelic rock, theatrical undertones, funk, dream pop, and plenty more, all packed into this nine track release that delivers a ton of personality and soul in the approach, along with addictive guitar work and hooks all throughout it.

Oscar Bravo Juliett is an album that has a unique way of pulling you in. Its first track, "Fallout/Shelter" starts off with beautiful vocals that sort of swirl around you and the acoustic guitar, all coming in with this stripped-down kind of approach, and this gets you paying attention to the lyrics and those gorgeous vocals right off the bat.

Approach. You have these sorts of synth pads that serve almost like orchestrated strings that flow through the background of the track, live drums, and an overlaying guitar part that all come into play, and it gives you the vibe of an old western film, in a way.

This turned out to be something that did feel quite cinematic and that drew me in even further. Suddenly, this was more lush and had a vast undertone creating depth and layers.

The next track is called "Monsters of Nothing", which is one that showcases way more of that funk and groove. It's got a kind of hard-hitting style guitar part, based on color, and that soulful psychedelic style groove you can't really deny. This track is super danceable and just gets your body moving.

You have some experimental guitar tones, the drumming is just heavy-handed and deeply impacting the velocity of that groove even more, while still keeping things super funked out.

This was really a fun track, and it showcased a bit of a different flavor than the first one did, so right off the bat, you're starting to get a feel for the diversity and some eclectic approaches and songwriting that this record is boasting.

Then we have tracks like "Daddy Lollipop", which has a grittier, grungier, garage rock style of approach. The guitar tone is completely different here. It is much more fuzz-toned out, and it helps the song's game that sort of edginess that it's going for. The vocals here also have more of an intense sort of attitude and approach, riddled with swagger and character.

One of my favorite tracks on the record is called "Secrets". This one is still kind of balancing between that garage rock and classic grunge style approach. It's got a great progression; it's a bit more straightforward than some of the other songs, so it feels catchy.

Everything about this one is a little heavier, which I dig because the grungier guitar tones and thrashier approaches work really well with the vocals, because the vocalist seems to sort of dive into these different characters depending on what the song is musically. This track has that grungy feel, and so the vocals are a bit more vibrant and in your face, still with that great attitude.

All in all, the record showcases such a massive diversity; again, the songwriting takes shape a little differently with each single, and listening to this full album is an absolute must.

There's no way you can get the full range of what it offers by just listening to a few tracks. Although some of the songs I've mentioned already stand really well on their own two feet as singles, you're going to miss out on a lot of different kinds of approaches and different vibes that the record puts out there.

When listening to the entire thing from start to finish, it's quite a fun experience.

The last track on the record is one that I feel like sort of encompasses a lot of what this album is actually about musically.

"I Get Stuck" seems to bring together some of the vast undertones, heavier rock sort of feels, grungy and gritty tones, garage rock approaches, and still has clean elements to it and aspects about it that sort of float around in the tracks' ether.

It's got the depth and dynamic, but it also hits the grungy and fun, heavier side of things, too.

It also contains some funk, great callback vocals, and to me, it just sort of wraps up the record really well and closes it out perfectly.

This is an album that encompasses a lot. The funk rock, grunge, garage rock, indie-pop, acoustic sections, there's just so much going on that you have to shake it off when it's all over

Definitely take a deep dive into this one because it's certainly something that you're going to get connected with. Not only are the vocals really adaptive to the style of song that they're putting out at the time, but a lot of the lyrics can either tell stories or just be very personal, so you do find yourself connecting with those lyrics as well throughout the record.

Check this out now and remember where you heard it first.

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